SELECTED BIBLIOGRAPHY

 

The Instrument:

Baines, Anthony. The Oxford Companion to Musical Instruments. New York: Oxford

University Press, 1992.

 

_____. Woodwind Instruments and Their History. New York: Norton, 1962.

 

Bate, Philip. The Flute. New York: Norton, 1969.

 

Boehm, Theobald. The Flute and Flute-Playing. Translated and revised by Dayton C.

Miller. 2nd ed., rev. 1922. Reprint. New York: Dover, 1964.

 

Bowers, Jane, et al. Concerning the flute: ten articles about flute literature, flute playing, flute making, and flutists. Edited by Rien de Reede. Amsterdam: Broekmans&van Poppel, 1984.

 

Coltman, John. “The Acoustics of the Flute.” Physics Today, November 1978, pp. 25-32.

 

Cooper, Albert. The Flute. 2nd. rev. ed. London: Albert Cooper, 1984.

 

De Lorenzo, Leonardo. My Complete History of the Flute. Revised and expanded ed. Lubbock, TX: Texas Tech Press, 1992.

 

Giannini, Tula. Great Flute Makes of France: the Lot and Godfrey Families, 1650-1900.

London: Tony Bingham, 1993.

 

Gilliam, Laura E., and William Lichtenwanger. The Dayton C. Miller Collection: A Checklist of the Instruments. Washington, D.C.: Library of Congress, 1961.

 

Landell, Jonathon. The Landell Flute Tune-Up Manual. Vergennes, Vt.: Vermont Guild of Flute Making, 1983.

 

Miller, Dayton C. “Modern Alto, Tenor, and Bass Flutes.” American Musicological Society Papers, 1938, pp. 8-15.

 

Phelan, James and Mitchell D. Brody. The Complete Guide to the Flute from Acoustics and Construction to Repair and Maintenance. Boston: Conservatory Publications, 1980.

 

Rockstro, Richard Shepard. A Treatise on the Construction the History and the Practice of the Flute. 2nd ed., rev. 1928. Reprint. London: Musica Rara, 1967.

 

Solum, John. The Early Flute. With a chapter on the Renaissance flute by Anne Smith. Oxford: Claredon Press, 1992.

 

Toff, Nancy. The Development of the Modern Flute. 1979. Reprint. Urbana: University of Illinois Press, 1986.

 

_____. “Doctoral Dissertations on the Flute: 1992 Update.” The Flutist Quarterly, Fall 1992, pp. 44-46.

 

 

The People:

 

Dorgeuille, Claude. The French Flute School 1860-1950. Translated and edited by Edward Blakeman. London: Tony Bingham, 1986.

 

Floyd, Angelita S. The Gilbert Legacy: Methods, Exercises and Techniques for the Flutist. Cedar Falls, Iowa: Wonzer, 1990.

 

Galway, James. An Autobiography. New York: St. Martin’s, 1979.

 

Mc Cutchan, Ann. Marcel Moyse: Voice of the Flute. Portland, Ore.: Amadeus, 1994.

 

Rampal, Jean-Pierre with Deborah Wise. Music, My Love. New York: Random House, 1989.

 

Toff, Nancy. Georges Barrere and the Flute in America. New York: New York Flute Club, 1994.

 

Wye, Trevor. Marcel Moyse: An Extraordinary Man. Cedar Falls, Iowa: Winzer, 1993.

 

Performance and Technique:

 

Barone, Clement. Learning the Piccolo: A Treatise on Subtleties and Problems of Playing the Piccolo in Relation to the Flute. New York: EduTainment, 1975.

 

Dick, Robert. Circular Breathing for the Flutist. New York: Multiple Breathe, 1987.

 

_____. The Other Flute: A Performance Manual of Contemporary Techniques. New York: Oxford University Press, 1978

 

Krell, John. Kincaidiana: A Flute Player’s Notebook. Culver City, Calif.: Trio Associates, 1973.

 

Moyse, Marcel. How I Stayed in Shape. Translated by Paul M. Douglas. West Brattleboro, Vt.: Marcel Moyse, 1974.

 

Nicolet, Aurele, ed. Pro Musica Nova: Studies for Playing Avant-garde Music for Flute. New York: MCA Music, 1974.

 

Nyfenger, Thomas. Music and the Flute. Guilford, Conn.: Thomas Nyfenger, 1986.

 

Pellerite, James J. A Modern Guide to Fingerings for the Flute. 2nd ed., rev. and enl. Bloomington, Ind.: Zalo Publications, 1972.  

 

Tanzer, Stephen. A Basic Guide to Fingerings for the Piccolo. Bala Cynwyd, Penn.: Sopranino Press, 1990.

 

Wye, Trevor and Patricia Morris. A Piccolo Practice Book. London: Novello, 1988.

 

Wye, Trevor. Proper Flute Playing: A Companion to the Practice Books. London: Novello, 1988.

 

Historical Topics: Baroque and Classical:

 

"Baroque Flute Performance Practice Bibliography.” Woodwind World Brass & Percussion, 14, no. 4 (1975): 23-25.

 

Best, Terence. “Handel’s Solo Sonatas.” Music and Letters, 58 (1977): 430-438.

 

Brown, Rachel.  The Early Flute. A Practical Guide. Series: Cambridge Handbooks to the Historical Performance of Music, 2003.

 

Donington, Robert. A Performer’s Guide to Baroque Music. New York: Scribner’s, 1973.

 

Farrar, Carol Reglin. Michel Corrette and Flute-Playing in the Eighteenth Century. Brooklyn: Institute of Medieval Music, 1970.

 

Fleury, Louis. “The Flute and Flutists in the French Art of the Seventeenth and Eighteenth Centuries.” Musical Quarterly, 9 (1923): 515.

 

Higbee, Dale. “Michel Corrette on the Piccolo and Speculations Regarding Vivaldi’s ‘Flautino.’” Galpin Society Journal 27 (February 1964): 115-16.

 

Hoetteterre le Romain, Jacques. Principles of the Flute Recorder and Oboe. Translated and edited by David Lasocki. New York: Praeger, 1968.

 

Lasocki, David. “Baroque Flute and its Role Today.” Recorder and Music Magazine, February 1967: 99-100, 104.

 

______ and Betty Bang Mather. The Classical Woodwind Cadenza: A Workbook. New York: McGinnis & Marx, 1978.

 

Mather, Betty Bang and David Lasocki. The Art of Preluding, 1700-1830. New York: McGinnis & Marx, 1984.

 

Neuhaus, Margaret N. The Baroque Flute Fingering Book. Naperville, Ill.: Flute Studio Press, 1986.

 

Quantz, Johann Joachim. On Playing the Flute. 1752. Translated by Edward Reilly. 2nd ed. New York: Schirmer Books, 1985.

 

Waitzman, Daniel. “Historical Versus Musical Authenticity.” The American Recorder, May 1980: 11-13.

 

Related Materials:

Adoplhe, Bruce. The Mind’s Ear: Exercises for Improving the Musical Imagination for Performers, Listeners, and Composers. St. Louis: MMB Music, (1991).

 

Andrews, Elizabeth. Healthy Practice for Musicians. London: Rhinegold, 1997.

 

Brandfonbrener, Alice G. “Orchestral Injury Prevention Intervention Study.” Medical Problems of Performing Artists 12, no. 1 (March 1997): 9 – 14.

 

______. “The Performing Artists and Alternative Medical Care.” Medical Problems of Performing Artists 4, no. 2 (June 1989): 57-58.

 

Bruser, Madeline.  The Art of Practicing: A Gudie to Making Music From the Heart.  Three Rivers Press, 1999.

 

Conable, Barbara. What Every Musician Needs to Know About the Body, The Practical Application of Body Mapping and the Alexander Technique to Making Music. Columbus, Ohio: Andover Press, 1998.

 

de Alcantara, Pedro. Indirect Procedures: A Musician’s Guide to the Alexander Technique. Oxford: Clarendon Press, 1997.

 

Greene, Don.  Fight Your Fear and Win: Seven Skills for Performing Your Best Under Pressure.  New York: Broadway, 2002.

 

Green, Barry. The Inner Game of Music. Garden City, N.Y.: Anchor Press/Doubleday, 1986.

 

Highstein, Ellen. Making Music in Looking Glass Land: A Guide to Survival and Business Skills for the Classical Performer. New York: Concert Artists Guild, 1991.

 

Lehrer. Paul M. and Robert L. Woolfolk, eds. Principles and Practice of Stress Management. 2nd ed. New York: Guilford Press, 1993.

 

Lieberman, Julie Lyon. You are Your Instrument. New York: Muiski Music, 1991.

 

Loehr, James.  The New Toughness Training for Sports.   New York: Dutton, 1994.

 

Ristad, Eloise. A Soprano on Her Head: Right Side Up Reflections on Life and Other Performances. Moab, Utah: Real People Press, 1982.

 

Schneiderman, Barbara. Confident Music Performance: The Art of Preparing. St. Louis: MMB Music, (1991).

 

 

Periodicals:

 

The American Recorder

American Recorder Society

5554 S. Prince, Suite 128

Littleton, CO 81020

(303)347-1120 - FAX (303)347-1120

email: 74363.3365@compuserve.com

 

Chamber Music

Chamber Music America

545 Eighth Avenue

New York, NY 10018-4385

(212)244-2272 - Fax(212)244-2776

http://www.chamber-music.org/ 

 

Early Music

Oxford University Press

2001 Evans Road

Cary, NC 27513

(919)677-0977 - FAX (919)677-1714

http://em.oxfordjournals.org/

 

Historical Performance

Early Music America

11421 Bellflower Road

Cleveland, OH 44106

(216)229-1685 - FAX (216)229-1688

email: bxs6@po.cwru.edu

 

The Instrumentalist

200 Northfield Road

Northfield, Illinois  60093

888-446-6888 - FAX 847.446.6263

http://207.58.128.136/magazine-The-Instrumentalist/ 

 

The Flutist Quarterly

National Flute Association, Inc.

PO Box 800597

Santa Clarita, CA 91380-0597

(805)297-5287 - FAX (805)297-0753

http://www.nfaonline.org

 

Flute Talk

200 Northfield Road

Northfield, IL 60093-3390

(800)323-5559 - FAX (708)446-6263

http://www.flutetalk.com/

 

Pan

British Flute Society

116 Woodwarde Road

Dulwich, London SE22 8UT, England

(0181)693-8414 - FAX(0181)693-1479

http://www.bfs.org.uk/

 

 

Traverso

Folkers & Powell

49 Route 23

Hudson, NY 12534-9508

(518)828-9779

http://traverso.baroqueflute.com/

 

 

Web Sources

professional associations:

http://nfaonline.org National Flute Association

http://www.coloradofluteassociation.org includes local performance listings

http://www.music.org/cgi-bin/showpage.pl College Music Society

http://www.musicalchairs.info/ Musical Chairs (search for jobs, masterclasses, and competitions)

http://www.facebook.com/home.php#/group.php?gid=2342779897&ref=ts Flute Jobs on Facebook

articles & research:

http://www.flutehistory.com

http://fluteinfo.com

http://www.jennifercluff.com/advance.htm

http://www.theflutesource.com/articles.html

http://www.larrykrantz.com

http://www.larrykrantz.com/krell.htm Piccolo fingerings!

merchandise:

http://www.fluteworld.com Comprehensive collection of music, instruments, and accessories

http://www.flutenet.com Used, lost, and stolen instrument listings

http://www.little-piper.com Music whose copyright has expired is cheaper here 

http://www.lflutes.com/ Sherry Lee's repair service